On stage, Paris has carved out a reputation for creating worlds as immersive as her records. Her headline shows — from the intimacy of London’s Hoxton Hall to the soaring Shepherd’s Bush Empire — are gatherings where community is as important as performance. Fans trade books and handwritten notes, exchange fairy messages, and form impromptu circles, before lifting their voices together in unison with hers. These concerts have become sanctuaries, both tender and defiant, where audiences see themselves reflected in her songs.
Fashion is also central to Paris Paloma’s worldbuilding, extending her music into visual mythology. On tour she wore “the blood dress”, a visceral symbol of rage and reclamation that became iconic among her fans. She has since collaborated with Dior and Prada on custom pieces that blur couture with commentary. One dress was embroidered with the words so often weaponised against women — “nag, difficult, fierce, moody” — transforming them into a kind of armour. Styled by Leith Clark, Paris gravitates towards the eerie femininity of designers like Simone Rocha, using fashion as a canvas for resistance and storytelling. For Paris’ latest “Good Boy” music video, Bora Aksu custom made the look for the ‘Patriarchy’ character Paris plays.
From her beginnings as a Derbyshire teenager writing songs in her bedroom, to Goldsmiths fine art graduate sketching her own cover art, to international stages and critical acclaim, Paris Paloma has emerged as one of the most vital new feminist voices in music. With Good Boy, she continues to turn personal catharsis into collective power — a worldbuilder weaving myth, grief, rage, and love into songs that feel both timeless and urgently of this moment.
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